Hand me my armadillo mandolin. I need to sing. Turn on the Transporter Machine to the moment shimmering alongside this one. Somewhere wind is trailing a wake of sunlight through a hillside of spring grass. I see a sailboat leaning under a bruised sky, so piercingly white everybody’s stopped on the Embarcadero peering over their steering wheel trying to remember where they were going. The smoke hasn’t gone away this time, new fires are breaking out, even in Oregon, and the fire season is just beginning. Ash flecks the cars, the leaves, plumes of it, risen thirty thousand feet, blocked out the sun, blocked the blue rays, turned the air Martian orange. In the City, fog darkens it even more, streetlights still on. It’s like midnight at noon. In the East Bay the sun is a small, orange disc, a demonic Eucharist rising from the region of civil war, to hang over the battlefield in the dawn haze, weeds and crushed dandelions beginning to lift, in hesitant, springing upticks, to waver over the bodies. One soldier is propped up leaning against a tree as if taking a break jaw slack, mouth agape, ants passing each other along his lips as if along a window sill, a man in a 19th century book, now come back to life sitting on a chair holding a cardboard sign next to a crooked blue tent under the overpass. The air knows what has happened, the answer no longer blowing in the wind. The smoke doesn’t move. We’re so divided now, it’s no wonder civil war comes to mind. What can you do in this bizarre light and toxic ash but close the windows. Going out’s as bad as staying in, everybody contracted to whatever channel profits by reinforcing their opinion. Our indulgence of inertia killing the earth DMZ’s everywhere, poetry a dandelion in the divider strip. That an atmosphere of war pervades this poem is appropriate, people shot in the back by police, most generals afraid to speak out, dictatorship nearly in place. Nobody’s in control but a creep, extolled as the Messiah, by mostly good people bewildered by neglect and damaged self-esteem, when what’s really in control is the burning earth and even now, I’m about to get in my car drive across the bridge to meet someone for coffee. We’re all complicit in this march toward global extinction. Inertia is a motherfucker. Going outside now, the news says, is like smoking eight cigarettes. We’re a race of suicidal idiots conditioned to band together in small groups that circle each other warily, despise each other, and we often don’t even know why. Perhaps we mistake this huddling for love. Romeo and Juliet are dead, having dared to love, having finally united their feuding families, the Capulets with the hated Montagues, in mutual grief, by killing themselves. Where does that leave us, who are still in love, from different tribes, still alive, and still needing fresh air. —SF, September, 2020